Minneapolis based jewelry maker Ivey Brassil of Enso
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My line came out of a desire to synthesize my interest in modernism and late modernism with beadwork and wearables. I studied fine art, and in school my work consisted of room-sized, ephemeral, and abstract constructions from everyday objects. My influences were minimalists and post-minimalist fine artists - from Agnes Martin through to Anish Kapoor and Bob Gober.
About twelve years later, obviously not making a living as a post-minimalist, and through a series of various life events, I found myself getting really gripped by glass beadweaving. I'd never really thought about the scale of craft and wearables much. I spent a lot of time making beadwork which looks nothing like what I do now, getting immersed in technique.
Eventually, inspired by the work of a number of bead artists whose work is modernist in look and feel (including the wonderful sandfibers.etsy.com) I asked myself the question "why can't you make metal, beads, and gems do what you were doing on a large scale in school?"
That was my proverbial aha moment for this line.
Another adaptation I made was using sterling beads and very fine sterling wire in lieu of glass and thread in many pieces, such as "ondine" or my rings. The result is an all-metal-and-stone piece of fine jewelry, with that kind of all-metal integrity, which I'm pleased with.
ENSO
enso.etsy.comshop.ensojewelry.comensojewelry.blogspot.comENSO flickr
